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Contact: Christina Chapple
Date: 8/29/03
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PAINTING FROM FRANCE – “Cliffs
at Etretat from the Garden” is one of 20 paintings by Southeastern Louisiana
University visual arts professor Gail Hood that will be on display September
9-26 on the second floor of Sims Memorial Library. The exhibit opens on
September 9 with a reception from 4:30-6:30 p.m. and a talk by the artist
at 5 p.m.
ON
MONET’S CLIFFS – Southeastern Louisiana University visual arts professor
Gail Hood paints on the cliffs at Etretat in Normandy. An exhibit by Hood
at Sims Memorial Libray will document the two months she spent in France
last year visiting and painting at sites captured by the French Impressionists.
HOOD TO EXHIBIT PAINTINGS FROM
FRANCE
AT SLU’S SIMS LIBRARY
HAMMOND -- Gail Hood went to
France last year to paint where the masters painted.
The veteran Southeastern Louisiana
University art professor from Covington spent two months of her fall 2002
sabbatical leave in the south of France, visiting sites that previously
were captured by the brushes of French Impressionists.
In locations such as Etretat
in Normany, Collioure near Spain, and Aix in Provence, she painted, sketched
and photographed in the wake of Monet, Boudin, Dufy, Cezanne, Matisse and
Bonnard.
The results of her working visit
will be on display September 9-26 on the second floor of Southeastern’s
Sims Memorial Library. The exhibit, “Paintings from France, Haute Normandie
and Provence,” will include 20 paintings done on site in France and seven
monoprints completed from photographs since her return.
Hood said her three and a half
week stay in Normandy’s picturesque Etretat, where she walked and painted
on the white and red cliffs overlooking the English Channel, “was the most
enriching.”
“Monet was enchanted himself,
having painted at least 83 paintings near Etretat,” Hood said. “I
knew he had painted the rocks on the coast -- paintings I never particularly
liked --so my own attraction to the rocky coast itself came as a surprise
to me.”
Hood’s exhibit will also include
four “hasty” sketches from Collioure, near Spain. “Matisse was the reason
I went to Collioure for a few days,” Hood said. The “haste” can be blamed
on the rain, which, nevertheless, did not dampen her resolve to paint.
Two of her sketches were done from the window of her hotel room.
In Aix in Provence, Cezanne’s
home, Hood found that the house she and her husband, Henry, had rented
was not as accessible as she would have liked to the sites she wanted to
paint. She did four paintings of the Sainte Victoire mount, which Cezanne
painted 83 times. “I was as fascinated as he was,” Hood said.
In Trouville, “I tried to photograph
some 21st century beach scenes in similar locations as those of Boudin
in the 19th century,” Hood said.
Hood will talk about her paintings
and experiences in France at the opening reception scheduled for 4:30-6:30
p.m. on September 9. For additional information, contact the visual arts
department, 985-549-2193. |
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